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Showing posts with label index. Show all posts
Showing posts with label index. Show all posts

Friday, January 22, 2021

Codex Alexandrinus: An Index

 Codex Alexandrinus is one of the most important manuscripts of the Greek New Testament.  Produced in the first half of the 400s, its readings have been known to European researchers ever since 1627, when it was entrusted to the king of England by Cyril Lucar.  

Digital images of the New Testament portion of Codex A (Volume 4) have been placed online at the website of the British Library. Site-visitors can use the search-bar to search from page to page.  Here is an index of the beginnings of each book, and other often-consulted passages:

List of Contents – 1v

Matthew 1:1-25:6 is all gone.

Mt. 25:7 – 2r –

Mt. 26:47 – 3v

Chapter-list for Mark – 5v

Mk.1:1 – 6r

Mk 6:1 – 9r (“6” written in inner margin)

Mk. 9:1 – 11v (“9” written in inner margin)

Mk 12:1 – 14v (“12” written in outer margin)

Mk 14:1 – 16r

Mk 16:9 – 18r

Chapter-list for Luke – 19r

Lk. 1:1 – 20r (Notice book-title in upper margin)

Lk. 4:1 – 22v (“4” written in inner margin)

Lk. 6:1 – 24v (“6” written in outer margin)

Lk. 8:1 – 26v (“8” written in outer margin)

Lk. 11:1 – 30r (“11” written in outer margin)

Lk. 15:1 – 33v (“15” in margin)

Lk.20:1 – 37r (“20” in margin)

Lk. 22:40 – 39r (SE portion)

Lk.24:1 – 40v (“24”in margin)

Chapter-list for John – 42r

Jn. 1:1 – 42r
Jn. 3:1 – 43v (“3” in margin)

Jn. 5:1 – 45r (“5” in margin)

[Missing:  6:50 katabainwn – 8:52 [leg]eis]

Jn. 9:1 – 47r

Jn. 11:1 – 48v

Jn. 11:55 – 49r (SE section)

Jn. 14:1 – 51r (“14” in margin)

Jn. 18:1 – 53r (“18” in margin)

Jn. 20:1 – 54v (“20” in margin)

Acts 1:1 – 56r

Acts 6:1 – “6” in margin)

Acts 9:1 – 61v (“9” in margin)

Acts 12:1 – 63v (“12” in margin)

Acts 15:1 – 65v (“15” in margin)

Acts 20:1 – 69v (“20” in margin) 

Acts 24:1 –  72v (“24” in margin)

Acts 27:1 – 74r (“27” in margin)

James 1 – 76r

First Peter 1 – 78r 

Second Peter 1 – 80r

First John 1 – 81v

Second John – 83v

Third John – 84r

Jude – 84r

Romans 1 – 85r

Romans 3 – 86r (“3” in margin)

Romans 8 – 88r (“8” in margin)

Romans 10 – 89r (“10” in margin)

Romans 12 – 90r (“12” in margin)

Romans 15 – 91r (“15” in margin)

First Corinthians 1 – 92v

First Corinthians 6 – 94r

First Corinthians 9 – 95r

First Corinthians 10 – 95v (“10” in margin)

First Corinthians 13 – 97r (“13” in margin)

First Corinthians 15 – 98r (“15” in margin)

Second Corinthians 1 – 99v

[Missing:  2 Cor. 4:13b gegramme[non] – 12:7 uperbolh]

Galatians 1 – 101v

Galatians 4 – 103r (“4” in margin)

Ephesians 1 – 104r

Philippians 1 – 107r

Colossians 1 – 108v

First Thessalonians 1 – 110v

Second Thessalonians 1 – 112r

Hebrews 1 – 113r

Hebrews 5 – 114v

Hebrews 10 – 116v

Hebrews 12 – 118r

First Timothy 1 – 119r

Second Timothy 1 – 121r

Titus 1 – 123r

Philemon – 124r

Revelation 1 – 125r

Revelation 4 – 126r

Revelation 8 – 127v

Revelation 13 – 129r

Revelation 18 – 131r

Revelation 21 – 132v

First Clement 1 – 134r

First Clement 20 – 136r

First Clement 51 – 140r (This is why we don’t use chemical reagents!)

First  Clement 63 – 141v (This, too, is why we never use chemical reagents!)

Second Clement 1- 143r





Tuesday, January 14, 2020

The British Library 2020: Manuscript Index


            The British Library houses Codex Sinaiticus (most of it, at least) and Codex Alexandrinus.  As reported at the British Library’s website, 905 Greek manuscripts in the British Library’s large collection of Greek manuscripts have been digitized.  This includes not only Codices À (Sinaiticus) and A (Alexandrinus), and assorted works by secular authors, and by patristic writers, but also the following New Testament manuscripts – 115 continuous-text manuscripts, and 62 lectionaries.
            Each link should take you to a page where each manuscript is briefly described, and where access to page-views of each manuscript is provided.

GA 011 (Codex Seidelianus I, Gospels, 800s, damaged)
GA 027 (Codex Nitriensis, 500s, palimpsest)
GA 0121a (900s)
GA 0133, 0269, 0271, 0272, 0273, 0297, Lect 334 (Codex Blenheimius, 700s lower writing, palimpsest)

GA 44 (Gospels, 1100s)
GA 65 (Gospels, 1100s)
GA 72 (Gospels, 1100s, interesting marginalia)
GA 81 (Acts, 1044)

GA 104 (New Testament, 1087)
GA 109 (Gospels, 1300s/1400s)
GA 110 (New Testament, 1100s)
GA 113 (Gospels, 1100s, illustrated)
GA 114 (Gospels, 1000s or later.  quatrefoil Ad Carpianus)
GA 115 (Gospels, 1000s, heavily damaged)
GA 116 (Gospels, 1100s/1200s)
GA 117 and Lect 1357 (Gospels and Acts, early 1500s)

GA 201 (New Testament, 1357)
GA 202 (Gospels, 1100s)
GA 203 (New Testament except for Gospels, 1108)
GA 272 (Gospels, 1000s/1100s)

GA 308 (Acts and Epistles, 1300s)
GA 312 (Vol. 1) (Acts and Epistles, 1000s-1100s)
GA 312 (Vol. 2) (Epistles, 1000s-1100s)
GA 321 (Acts and Epistles, 1100s or later)
GA 322 (Acts and Epistles, 1500s)
GA 384 (Acts and Epistles, 1200s)
GA 385 (Acts, Epistles, Revelation, 1407)

            Golden Canon Tables (500s or 600s – in situ with 438)

GA 445 (Gospels, 1506)
GA 446 (Gospels, 1400s)
GA 447 (Gospels, 1500s)
GA 448 (Gospels, 1478)

GA 476 (Gospels, 1000s)
GA 478 (Gospels, 900s-1000s)
GA 480 (Gospels and part of Hebrews, 1366)
GA 481 (Gospels, 900s-1100s, Evangelists portraits) (Burney Gospels 19)
GA 482 (Gospels, 1285, Evangelists’ portraits)
GA 484 (Gospels, 1291, quatrefoil headpiece)
GA 485 (Gospels, 1100s, semi-quatrefoil Ad Carpianus)
GA 490 (Gospels, 1000s, quatrefoil Ad Carpianus and quatrefoil headpiece)
GA 491 (New Testament except Revelation, 1000s)
GA 492 (Gospels, 1325)
GA 493 (Gospels, 1400s)
GA 494 (Gospels, 1300s)
GA 495 (Gospels, 1100s, Evangelists’ portraits)
GA 496 (New Testament except Revelation, 1200s)
GA 497 (Gospels, 1000s)
GA 498 (New Testament, missing some pages, 1300s)
GA 499 (Gospels, 1100s)

GA 500 (Gospels, 1200s)
GA 501 (Gospels, 1200s, some later supplements)
GA 502 (Gospels, 1200s)
GA 503 (John, 1200s)
GA 504 (Gospels, 1033)
GA 505 (Gospels, 1100s, quatrefoil headpiece)
GA 547 (New Testament except Revelation, 1000s)
GA 548 (Gospels, 1100s)
GA 549 (Gospels, 1000s, commentary)
GA 550 (Gospels, 1100s)
GA 551 (Gospels, 1100s-1400s)
GA 552 (Gospels, 1100s)
GA 553 (Gospels, 1200s)

GA 640 (James, fragment, 1000s-1100s, commentary)
GA 641 (Acts and Epistles, 1000s, commentary)
GA 643 (Vol. 1) (Pauline Epistles, 1300s, Chrysostom commentary)
GA 643 (Vol. 2) (Pauline Epistles w/Chrysostom comm., and General Epistles, 1300s)
GA 644 (Pauline Epistles, incomplete, 1300s)
GA 645 (Gospels, 1304)
GA 686 (Gospels, 1337)
GA 687 (fragments of Matthew, 1000s)
GA 688 (Gospels, 1179)
GA 689 (Gospels, 1200s)
GA 690 (Gospels, 1200s-1300s)
GA 691 (Gospels, 1200s-1300s)
GA 692 (Gospels, 1200s-1300s, quatrefoil headpiece)
GA 693 (Gospels, 1200s-1300s)
GA 694 (Gospels, 1400s)
GA 695 (Gospels, 1200s)
GA 696 (Gospels, 1300s)
GA 697 (Gospels, 1200s) (decorated, fox & snake initial)
GA 698 (Matthew, Mark, Luke, 1300s)
GA 699 / GA 699 (Guest-Coutts NT) (Gospels, Acts, Epistles, 900s)

GA 700 (Gospels, 1000s) (Hoskier’s Codex)
GA 714 (Gospels, 1100s-1200s)
GA 715 (Gospels, 1200s, quatrefoil headpiece)
GA 716 (Gospels, 1300s, quatrefoil headpiece)
GA 892 (Gospels, 800s with later supplements)

GA 910 (Acts and Epistles, 1009)
GA 911 (Acts and Epistles, 1000s)
GA 911(2040) (Revelation, 1000s)
GA 912 (Acts and Epistles, 1200s)
GA 913 (Acts and Epistles, 1300s)

GA 1268 (Gospels, 1200s, commentary)
GA 1274 (Vol. 1) (Palimpsest – parts of Matthew and Mark, 1100s/1400s)
GA 1274 (Vol. 2) – Luke, Matthew, Mark) and GA 2823  and GA 2822 (Palimpsest – part of James and Jude, 1100s/1400s)
GA 1279 (Gospels, 1100s-1200s)
GA 1280 (Gospels, 1100s-1400s)

GA 1765 (Acts and Epistles, 1300s)

GA 1911 (Romans-Jude, 1500s.  This is Harley MS 5552, likely a transcript of Erasmus’ first edition)
GA 1956 (Pauline Epistles, 1200s, catena)

GA 2041 (Revelation, 1300s)
GA 2099 (Gospels, 1200s)

GA 2277 (Gospels, 1000s-1300s)
GA 2278 (Gospels, 1314)
GA 2279 (Acts and Epistles, 1300s)
GA 2280 (Gospels, 1100s)
GA 2290 (Gospels, 900s with supplements from 1600s)
GA 2291 (Vol. 1) (Matthew and Mark, 1200s)
GA 2291 (Vol. 2) (Luke and John, 1200s)

GA 2484 (Acts and Epistles, 1312)

LECTIONARIES

Lect 25a and 25b (partly palimpsest)

Lect 150 (995, uncial)
Lect 151 (1100s, quatrefoil headpiece)
Lect 152 (800s-900s, uncial)
Lect 169 (1200s, Acts and Epistles)
Lect 183 (nice uncial lectionary)
Lect 184 (late 900s)
Lect 187 (1100s-1200s)
Lect 189 (1100s)
Lect 190 (1000s, fragment)
Lect 191 (1100s)
Lect 192 (1200s)
Lect 193 (1334)

Lect 233 (1100s, cruciform text)
Lect 237 & Lect 2310 (1100s and 1600s)
Lect 238 (1000s-1100s)
Lect 257 (1306, Acts and Epistles)

Lect 318 (1000s)
Lect 319 (1100s-1200s, quatrefoil headpiece)
Lect 320 (1300s, damaged)
Lect 321 (1100s-1200s)
Lect 322 (1000s)
Lect 323 (1100s-1200s)
Lect 324 (1200s)
Lect 325 (1200s)
Lect 326 (1100s)
Lect 327 (1300s)
Lect 328 (1300s)
Lect 329 (900s-1000s)

Lect 330 & 331 (1272)   
Lect 332 (1300s)
Lect 333 1200s)
Lect 335 (1100s)
Lect 336 (1100s-1300s)
Lect 337 (1200s)
Lect 338 (900s lower writing, palimpsest)
Lect 339 (1100s)
Lect 340 (1200s) 
Lect 344 (1100s-1300s)
Lect 346 (1100s-1300s)

Lect 927 (1200s-1300s)
Lect 930 (1200s)
Lect 932 (1200s)
Lect 939 (1100s)
Lect 940 (1200s)
Lect 941 (1100s)

Lect 1053 (1000s-1100s, fragment)
Lect 1234 (1300s)
Lect 1317 (800s and 1400s, palimpsest)

Lect 1490 (1100s)
Lect 1491 (1008)
Lect 1492 (late 1000s)
Lect 1493 (1000s)
Lect 1494 (1100s-1200s)
Lect 1495 (1200s)
Lect 1496 (1413)

Lect 1742 (late 1300s)
Lect 1743 (1256)

Lect 2376 (1000s, quatrefoil headpiece)

Also of interest:
Collation of GA 71 (Codex Ephesinus), made in 1679
Add. MS 34186 – Wax Tablets  (Probably similar to what Zachariah used in Luke 1:63)

In addition, the British Library’s website offers several essays on subjects relevant in one way or another to the field of New Testament textual criticism, including the following:

● Scribes and Scholars in Byzantium (Georgi Parpulov)
● Manuscripts of the Christian Bible (Scot McKendrick)
● Ancient Books (Cillian O’Hogan)
● Ancient Libraries (Matthew Nicholls)
● Book Illumination in Antiquity (Cillian O’Hogan) (featuring Codex N)
● Biblical Illumination (Kathleen Doyle)
● Byzantine Bookbindings (Ann Tomalak)
● Byzantine Book Epigrams (Julie Boeten and Sien De Groot)
● Illuminated Gospel-books (Kathleen Maxwell)
● The Earliest Greek Bibles (David C. Parker) (featuring Papyrus 5)



Readers are invited to double-check the data in this post.


Saturday, July 8, 2017

America's Greek New Testament: Minuscule 1780

            In the Kenneth W. Clark Collection at Duke University, manuscript #1 is a volume containing the entire Greek New Testament:  minuscule 1780.  This manuscript should be of special interest to Americans, because ever since minuscule 1424 was returned to Greece in 2016, minuscule 1780 is one of only two complete Greek manuscript of the New Testament in the United States. 
            Minuscule 1780 has been digitized, and page-views are available at the website of the David M. Rubenstein Rare Book & Manuscript Library of Duke University.  Besides the text of all 27 books of the New Testament, 1780 also has lectionary-tables, Ad Carpianus, the Eusebian Canon-tables, an introductory commentary/summary on the Gospels, book-introductions, chapter-lists, and a considerable amount of marginal commentary (which frequently is written in a cruciform shape).  Unfortunately, there is no index, so for those who might be encountering this manuscript for the first time, here is a basic index for minuscule 1780:

Canon-tables:  Page 13.
Chapter-list for Matthew:  page 53
Matthew:  page 55
Chapter-list for Mark:  page 95
Mark:  page 97
Chapter-list for Luke:  page 123
Luke:  page 125
(On page 131, the genealogy is formatted in five columns)
Chapter-list for John:  page 176
John:  page 177
(The story of the adulteress is in the text of John after 7:52 on page 190.)

(In Acts, the marginalia is much less abundant, consisting of notes, or scholia, rather than a full commentary.)
Prologue and chapter-list for Acts:  page 213
Acts:  page 217
(Acts 8:37 is included in the text on page 226)

Prologue to the Catholic Epistles:  page 250
James:  page 252 

Prologue to the Pauline Epistles: page 256
Romans:  page 263
End of Romans with pulpit-text in the margin:  page 277
First Corinthians:  page 279
Second Corinthians:  page 295
Galatians:  page 307
Ephesians:  page 313
            (notice the red “comet” symbol used to connect text to commentary in margin)
Philippians:  page 319
Colossians:  page 324 
First Thessalonians:  page 329 
Second Thessalonians:  page 334
First Timothy:  page 337 (some distigmai (umlauts) are in the side-margin) 
Second Timothy:  page 342 
Titus:  page 346 
Philemon:  page 348 
Hebrews:  page 251 

First Peter:  page 365
Second Peter:  page 370 
First John:  page 374
Second John: page 379
Third John:  page 380
Jude:  page 381

Revelation:  page 386   
(cruciform text:  page 399)
End of Revelation:  page 400

            Minuscule 1780 is such an exceptional manuscript that it really deserves a special title rather than just an identification-number.  I suggest the name Codex Branscombius, in honor of Bennett Harvie Branscomb (1894-1998), the Duke University professor (and, beginning in 1945, chancellor of Vanderbilt University) who acquired the manuscript, beginning what would become the Kenneth W. Clark Collection of Greek Manuscripts.
            Of course whenever a new manuscript comes to light, or when – as in this case – a known manuscript is made available to the public – a question is bound to arise:  how good is its text?  As a small sample of the quality of the text in 1780, let’s compare its contents in First Peter 1:1-12 to the same passage in Codex Sinaiticus, “The world’s oldest Bible,” most of which is currently housed at the British Library.  In the following comparison, I will use the Nestle-Aland compilation as the basis of comparison.  For each non-original letter, I will assign a point; for the absence of each original letter, I will also assign a point.  Transpositions will be mentioned but no points will be assigned for them.
            Since Codex Sinaiticus (signified as ﬡ, the Hebrew letter Aleph) is about 850 years older than 1780, let’s examine its text first.

1 – ﬡ [Aleph] has και after εκλεκτοις.  (+3)  [However, the kai-compendium is partly erased, and the erasure may have happened before the manuscript’s production was finished, so I will not count this in the total.]
1 – ﬡ has Γαλατειας instead of Γαλατιας (+1)
1 – ﬡ has Καππαδοκειας instead of Καππαδοκιας (+1)
1 – ﬡ does not have Ασιας.  (-5)  [The word is added in the margin by a later corrector.]
2 – ﬡ has πληθυνθιη instead of πληθυνθειη (-1)
3 – ﬡ has δια instead of δι’ (+1) 
4 – ﬡ transposes αμαραντον and αμιαντον
4 – ﬡ has ουρανω instead of ουρανοις (+1, -3)
5 – ﬡ has δυναμι instead of δυναμαι (-1)
5 – ﬡ has ετοιμως instead of ετοιμην (+2, -2)
6 – ﬡ does not have εστιν (-5)  [The word is added above the line by a later corrector.]
6 – ﬡ has λυπηθεντας instead of λυπηθεντες (+1, -1)
6 – ﬡ has πιρασμοις instead of πειρασμοις (-1)
7 – ﬡ has επενον instead of επαινον (+1, -2)
8 – ﬡ has αγαλλιασθαι instead of αγαλλιασθε (+2, -1)

            Sinaiticus’ text of First Peter 1:1-12 thus has 10 non-original letters, and is missing 22 original letters, for a total of 32 letters’ worth of corruption.

Now let’s look at the same passage in minuscule 1780.

2 – 1780 has απο Θ[εο]υ Π[α]τ[η]ρ after ειρηνη (+12, when the sacred names are uncontracted. )
7 – 1780 (with Byz) has τιμην και εις δοξαν instead of δοξαν και τιμην (transposition) (+3) 
8 – 1780 (with Byz) has ειδοτες instead of ιδοντες (+1, -1)
10 – 1780 (with Byz) has εξηρευνησαν instead of εξηραυνησαν (+1, -1)
12 – 1780 has απηγγέλη instead of ανηγγέλη (+1, -1)

            1780’s text of Second Peter 1:1-12 thus has 18 non-original letters, and is missing three original letters, for a total of 21 letters’ worth of corruption. 

            America’s Greek New Testament, at Duke University, is thus more accurate in First Peter 1:1-12 than “the world’s oldest Bible” at the British Library.  The copyists in Codex Sinaiticus’ Alexandrian transmission-line managed to make more non-original readings in 300 years in this passage than the copyists in minuscule 1780’s Byzantine transmission-line made in 1,150 years.  If not for one harmonistic reading in verse 2, minuscule 1780’s text of First Peter 1:1-12 would be three times more accurate than the text in Codex Sinaiticus.  This is truly a manuscript worth celebrating as a national treasure.

P. S. The other Greek New Testament in the United States was acquired in 1957; it is minuscule 680 and it is presently housed at the Yale University Library as Beinecke MS 248.


  

Saturday, July 1, 2017

Fool and Knave! Hebrews 1 in Codex Vaticanus

            Many textual critics consider Codex Vaticanus the centerpiece of the church’s collection of New Testament manuscripts.  Besides containing Greek text from much of the Old Testament (in a form of the Septuagint), Codex Vaticanus includes all books of the New Testament except First Timothy, Second Timothy, Titus, Philemon, and Revelation.  (After the book of Hebrews, which abruptly stops midway through 9:14 at the end of a page, the text of the book of Revelation is present, but it is written in handwriting typical of the 1400’s, and constitutes a separate manuscript from the much more ancient portion.)
            Today, let’s take a close look at one of the better-known pages of this important manuscript, which was produced around 325:  the page that contains the first chapter of the book of Hebrews.  I will simply list twelve features on this page, and describe them one by one.
            First, though, for those who might want to explore Codex Vaticanus’ pages directly, here is an index of the online images of the first page of every New Testament book that is included in the manuscript, in the order in which they appear in Codex Vaticanus.  Clicking the embedded link will take you to the image of that page at the Vatican Library’s website.
From Codex Vaticanus:  Second Thess. 3:11-18 and Hebrews 1:1-2:2.
This image is digitally altered; a digital photo of the page
is at the Vatican Library website.
Mark 
John 
Second Peter      

1.  Book title, in the upper margin of the manuscript.

2.  Decoration.  Similar decorative lines are not unusual in later manuscripts, which sometimes feature horizontal lines made of braided ropes or thorns.  In this case, the decoration was added long after the initial production of the manuscript.  Such decorations serve a practical purpose as well as an artistic one, helping draw attention to the beginnings of books.

3.  Enlarged initial.  When Codex Vaticanus was produced, it did not have this feature, which was added later.  A close look at the page shows that originally the letter pi at the beginning of Hebrews 1:1 was written in the same script, and in the same size, as the rest of the letters in the word Πολυμερως.  (In some manuscripts, the initial at the beginning of books is not only enlarged, but drawn in the shape of animals, or even of people.  It is not unusual, in medieval Gospels-manuscripts, for an initial to signify the beginning of a Eusebian Section, and for the initials to be written larger, and in different ink, than the rest of the text.)

4.  Distigme.  The two dots in the margin which resemble an umlaut (¨) seem to have been added to draw attention to a textual variant in the text.  In some other manuscripts, margin-notes similarly draw attention to textual variants, but they usually mention the alternative reading.  Probably whoever added these symbols to the pages of Codex Vaticanus (and there are wide-ranging opinions about whether these marks are ancient, or medieval, or even Renaissance-era) possessed another volume in which the same points of textual variation were marked, with notes about the readings in Codex Vaticanus.  More distigmai appear on this page (for example, at Hebrews 1:3). 

5.  Coronis.  Barely visible, a simple decorative design here, made of dots and flourishes, designates the end of a book.  Early copyists tended to use their own distinct designs, so the occurrence of different designs in the same manuscript is a clue that more than one copyist contributed to its production.  The remarkable similarity between a coronis-design that appears repeatedly in Codex Vaticanus (for example, at the end of Genesis), and a coronis that appears in Codex Sinaiticus (at the end of Mark), has suggested to some researchers that the same copyist was involved in the production of both manuscripts, possibly as a normal copyist for Vaticanus, and as a scriptorium-supervisor for Sinaiticus. 

6.  Subscription.  This is the closing-title of a book – in this case, Second Thessalonians. 

7.  Subscription expansion.  After the closing-title of Second Thessalonians, someone wrote an additional note:  “Written from Athens.”

8. Secondary Corrector’s Note.  Made somewhat famous by Bruce Metzger in his 1981 book Manuscripts of the Greek New Testament:  An Introduction to Palaeography, this note was written by someone who had discovered that someone had corrected an erroneous reading.  The copyist of Codex Vaticanus had written Φανερων in Hebrews 1:3, and a corrector had replaced that with the correct reading, Φέρων (which is supported by all other manuscripts, including Papyrus 46).  The person who wrote this note, however, objected to this correction, and wrote, ἀμαθέστατε καὶ κακέ, ἂφες τὸν παλαιόν, μὴ μεταποίει.  Metzger translated these words as, “Fool and knave, can’t you leave the old reading alone, and not alter it!”  Another rendering:  “Untrained troublemaker, forgive the ancient [reading]; do not convert it.”  He re-wrote Φανερων, erasing most of the corrector’s Φερων.  Apparently, the note-writer regarded Codex Vaticanus as a museum-piece to be protected and preserved, rather than as a copy of Scripture to be used as such.  

9. Diple-marks.  The “>” symbols in the margin accompany quotations from the Old Testament – in this case, quotations from Psalm 2:7 and Second Samuel 7:14.

10.  A Correction.  The copyist of Codex Vaticanus appears to have written  ελεον, but the person who reinforced the otherwise faded lettering throughout the manuscript declined to reinforce the second ε (epsilon), and either he or another corrector wrote above it the correct letters, αι.  See also the insertion of the letter ε in λειτουργοὺς in verse 7, in the last line of the second column on this page, and the lack of reinforcement of the letters ε and ν in εχρεισεν in verse 9, in the tenth line of the third column.

11.  Modern Chapter-number.  A relatively recent owner (or steward) of the manuscript wrote the modern chapter-number directly on the page in the margin, and crudely but clearly delineated the chapter-division in the text.

12.  Editorial Pruning.  Somewhere in the transmission-stream of Codex Vaticanus’ text, a copyist removed the words του αἰωνος, probably because he considered them superfluous.  (There seems to be nothing that would make these words vulnerable to accidental loss, and the difference between the inclusion or omission of the words is the difference between “forever and ever” and “forever.”) 

            It is sometimes claimed that no textual variants that are closely contested have an impact on Christian doctrine.  In Hebrews 1:3, however, most Greek manuscripts affirm that Jesus, by Himself – δι’ αὐτου or δι’ ἑαυτου – cleansed our – ἡμων – sins.  This unquestionably impacts the interpretation of the verse:  is there room for any other source of purification of sins – for instance, is it valid to seek purification through one’s own works, or through the intercession of Mary or of other saints – or was purification from sins fully obtained by Christ, and by Him alone?  And, did Jesus achieve the forgiveness of the sins of all people (as the American Bible Society’s 1976 Good News Translation says:  “after achieving forgiveness for the sins of all human beings”), or forgiveness for the sins of believers (as the New Living Translation says:  “When He had cleansed us from our sins”)?  Does this verse teach that atonement was provided solely by Christ?  And does it affirm that the atonement covers believers, or does it allow the belief that the atonement covers all people in general?
            (It is difficult to see how the UBS/Nestle-Aland compilations could beget the New Living Translation’s rendering.  Neither compilation has the Greek equivalent of “us” or “our.”  Yet the NLT’s publisher explicitly asserts that the text of the fourth edition of the UBS Greek New Testament and the 27th edition of the Nestle-Aland compilation was its New Testament base-text.)  
            It is possible, of course, to find answers to questions about the sufficiency of Christ’s sacrifice, and about the range of His atonement’s effectiveness, elsewhere in the New Testament, and that is what is meant (or, what should be meant) by those who say that closely contested textual variants do not have an impact on doctrine:  if one were to simply ignore the verse in which the textual contest takes place, the doctrine which one might, or might not, find in that verse is affirmed elsewhere in the New Testament.  However, the fact remains that some textual variants do have an impact on the interpretation of specific passages of the New Testament.


Monday, April 17, 2017

Codex Sinopensis (O, 023)

Left:  fol. 31v - Matthew 21:19-22.
Right:  fol. 29r - Matthew 20:32-21:2,
with illustrations (David on the left; Isaiah on the right;
the Healing of the Two Blind Men at Jericho in the middle).
            Justinian may have been Emperor of the Byzantine Empire (he ruled from 527 to 565) when the rare manuscript of the Gospel of Matthew known as Codex Chrysopurpureus Sinopensis – the Purple Codex from Sinope Written in Gold – was made.  This manuscript was unknown to European researchers until 1899, when a French military officer named John de la Taille, returning home after a journey to the area east of the Black Sea, visited the city of Sinope (on the southern coast of the Black Sea) and purchased it from a lady who was part of the Greek-speaking population there.  After the manuscript was taken to Paris, Henri A. Omont (librarian at the National Library of France) published a line-by-line uncial replication of its text, along with a transcript, in the 1901 volume of Notices et Extraits des Manuscrits de la Bibliothèque Nationale.  This volume is online.  It is much easier to read Omont’s materials than it is to read the text on the pages themselves.   Also in 1901, H. S. Cronin introduced this codex in a detailed article in the Journal of Theological Studies., emphasizing its text’s similarity to the text in Codex Rossanensis.  (More about that later.)
            Codex Sinopensis is rather sumptuous:  its parchment has been tinted purple – an expensive and rare treatment – and its text is written in gold ink.  Its uncial letters are very large.  This was a book intended to be used in church-services, with large print and plenty of room in the margins for the reader to handle without touching the ink.  Possibly this manuscript was one of a set that was intended to be used during church-services at Hagia Sophia in Constantinople, or a nearby chapel used by members of the royal family of the Byzantine Empire.   
            Unfortunately, most of the pages of Codex Sinopensis have been lost.  When it was made, the Gospel of Matthew took up about 144 two-sided pages; only 44 are known to have survived.  The surviving pages clearly display the Byzantine Text of Matthew chapters 7, 11, 13-15, 17-22, and 24 (with gaps).  Rather than feel frustrated when seeing such mutilation of a beautiful manuscript, the textual critic’s natural reaction is excitement, for damage to Codex Alexandrinus – an earlier witness to the early Byzantine Text of the Gospels – resulted in a 24-chapter gap at the beginning of the Gospel of Matthew in Codex A – and here in this deluxe codex of the sixth century a considerable portion of that loss is compensated. 
            The existence of a manuscript from the 500’s with an essentially Byzantine Text goes a long way toward refuting the claim that medieval manuscripts, because of their relatively late production-dates, contain a text that is also late and characterized by expansions picked up through the centuries.  For when the text of medieval Byzantine minuscule copies of the Gospels is compared to the text of Codex Sinopensis, their close resemblance is impossible to deny.
            Furthermore – as if one needed more proof that the Byzantine Text is ancient – Codex Sinopensis is one of a small group of manuscripts which may be considered triplets, that is, they were copied from the same exemplar, or master-copy, of the Gospels.  The sibling-manuscripts of 023 are N (022), Codex Petropolitanus Purpureus, and Σ (042), Codex Rossanensis.  (Another Purple Codex is Φ (043), known as Codex Beratinus.)  Together, these manuscripts, known as the Purple Uncials, echo a yet-more-ancient text which to a large degree represents the Gospels-text that spread widely throughout the Byzantine Empire.  (Some Latin Gospels-manuscripts on purple parchment also exist, such as the Werdenstein Gospels.)
            Because of the heavy damage which Codex Sinopensis has undergone, its parchment-sheets have been separately stored in its present location – the National Library of France.  For this reason, it cannot be simply read front-to-back; except for the occasional sheet that came in the middle of a set of 10 or 12 parchment-sheets (such a set is a quire) that were vertically folded in the center and sewn together.  The front and back of the first half of a sheet contain one passage, and the front and back of the second half of the same sheet contain a passage from further along in the text, skipping the text on however many pages were in between. 
            When produced, this codex was somewhat larger than its present dimensions (12 inches tall and 10 inches wide, more or less) – about as tall and wide as Codex Alexandrinus.  The text is written in very large letters, in a single column per page, with 16 lines, except on pages that contain illustrations at the foot of the page; there are five of these and they contain 15 lines of text rather than 16.  The illustrations are as follows:
            ● Salome receiving the Head of John the Baptist
            ● The Feeding of the Five Thousand
            ● The Feeding of the Four Thousand
            ● The Cursing of the Fig-tree
            Codex Sinopensis (O) has a feature that is also seen in Codex Rossanensis (N):  alongside the main illustrations, Old Testament writers (Moses, David, Isaiah, Habakkuk, and Daniel) are depicted, standing behind pulpits upon which are written brief and loosely worded extracts from their writings, applicable to the illustrated scene they accompany. 
            As Elijah Hixson recently announced at the Evangelical Textual Criticism blog, digital images of Codex Sinopensis have been made available at Gallica.  For those who may wish to sift through the text on the digital images in the order in which the text is written in the Gospel of Matthew, I have provided the following index. 
On the page that has an illustration of the death of John the Baptist,
the text of Matthew 14:1-4 in Codex O disagrees with the Byzantine Text
at one point:  the word for "tetrarch" is spelled with "aa"
instead of "a" (highlighted in the replication).

    
[f. 11r   14:13-16 (with illustration)]
[f. 11v  14:16-20]
[f. 30r   21:12-16]
[f. 30v  21:16-19 (with illustration)]
[f. 44r]
[f. 44v]

[At the moment a few pages are not in this index – but check back for possible updates!]


Monday, October 12, 2015

The Third-most-important Manuscript in the Vatican Library

          At the Vatican Library, a project is underway to digitize thousands of Greek manuscripts.  The most important Biblical manuscript at the Vatican Libary – Codex Vaticanus (B, 03), an incomplete uncial manuscript produced around 325 – is already online.  Papyrus 75 is also at the Vatican Library (although complete page-views are not yet available at the Vatican Library’s website).  The third-most important Greek manuscript housed at the Vatican Library is also online:   minuscule 157, listed in the library-catalog as MS Urbinate Gr. 2.  Let’s take a look at this very important Gospels-codex.  
Frontispiece of 157:
Chris blessing Byzantine
Emperor John II Comnenus
and his son Alexius.
          Codex 157 is a minuscule copy of the Gospels that was produced, according to a secondary note in the manuscript, in 1122.  Even if this note had not been included in the manuscript, an approximate production-date could be deduced from the full-page illustration that appears before the Gospels-text:  Jesus Christ is pictured on His heavenly throne, accompanied by personifications of mercy and righteousness, with one hand on Emperor John II Comnenus (b. 1087, r. 1118-1143) and the other hand on Alexius, the son of John II Comnenus.   It is similar to a mosaic of Byzantine Emperor John Comnenus II and Empress Irene (previously a Hungarian princess) in Hagia Sophia (in Istanbul); the inscription that accompanies John Comnenus II in the illustration in minuscule 157 is the same as the one that accompanies him in the mosaic in Hagia Sophia.        
          In 1912-1913, in the Journal of Theological Studies, the researcher H. C. Hoskier released a full collation of 157 which is available at Archive.org.  Hoskier took note of the interesting text of this manuscript, particularly in the Gospel of Luke and the Gospel of John.  He also reported some of its history:  for some time it was housed at Urbino (the birthplace of the artist Raphael) in Italy, and eventually came into the possession of Clement VII (1523-1534).  It has been in the Vatican Library since that time.  Reuben Swanson cited 157 exhaustively in the Gospels-volumes of his Greek New Testament Manuscripts book-series.  
          In this manuscript, the portraits of the evangelists are combined with elaborate headpieces, heavily embellished with gold, that precede the beginning of each Gospel.  Each Gospel is accompanied by a full-page illustration closely resembling an icon:  Christ’s birth, Christ’s baptism, the birth of John the Baptist, and Christ’s resurrection are all depicted.
          Marginalia is plentiful:  chapter-numbers and chapter-titles are provided at the tops of pages, and chapter-numbers also appear in the side-margins.  Section-numbers (but not canon-numbers) are in the side-margins.  The names of various feast-days and some calendar-days also accompany the passage assigned to them in the lectionary.  In addition, the text is peppered with gold dots, apparently intended to indicate where one should pause when reading aloud.  
          While the artistic and calligraphical skills displayed in 157 are impressive, its chief value emanates from its text.  Hoskier noted that while 157 frequently corresponds to the Textus Receptus for large segments (sometimes for over 30 verses), it has a strong non-Byzantine element as well.  Hoskier listed hundreds of non-standard readings in 157, and noted many particularly interesting ones, including variants in Matthew 21:46, Mark 5:23, Luke 5:18, and John 12:20.  At the end of Mark, verses 9-20 are present – verse 9 begins on the same line in which verse 8 ends.  The story of the adulteress (John 7:53-8:11) is completely absent; John 8:12 follows 7:52 with no gap.  The copyist was a careful worker but nevertheless he made occasional mistakes, perhaps the worst of which is in John 14:6, where he omitted the clause, “and the truth.”  This mistake was never corrected, which suggests that 157 did not receive a lot of regular use.
          At the end of the Gospel of Matthew, 157 features the intriguing note known as the Jerusalem Colophon:  “The Gospel according to Matthew:  written and double-checked using the old copies in Jerusalem, stored on the holy mountain.”  This is blended with a note about the amount of text written by the copyist:  “2,484 sense-lines and three hundred and fifty-seven chapters.”  Colophons which follow the conclusions of Mark, Luke, and John also state that their text has been written and double-checked using the same copies – the “ancient copies at Jerusalem” mentioned in the colophon after the end of the Gospel of Matthew – before listing the number of sense-lines and chapters (or, technically, sections) in each Gospel.  
          Minuscule 157 is thus a member of an elite group of 37 manuscripts that contain this note, or similar notes.  Among the fellow-members of the group of manuscripts that contain the Jerusalem Colophon (in one form or another) are 039, 20, 164, 215, 300, 376, 565 (an important manuscript written on purple parchment), 686, 748, 829, 899, and 1071.  The relationship of these manuscripts to one another is not yet resolved, but it seems sufficiently clear that when a consensus of the members of this group is in agreement, it bear witness to a transmission-line that is more ancient and weightier than any single member of the group.  It may be worth mentioning that several members of this group share a similar note about John 7:53-8:11.  (See, for details, the excursus in Tommy Wasserman’s 2009 essay, The Greek New Testament Manuscripts in Sweden with an Excursus on the Jerusalem Colophon.)
          In the event that readers may wish to consult images of 157 directly, I have prepared the following index.  Verse-references indicate the passage where the first line of the page on the left is found.  (Please bear in mind that the digital images at the Vatican Library are under copyright.)

PREFATORY MATERIAL
Front Cover.
Latin text of Jerome’s Letter to Damasus (probably included as an explanation of the Eusebian Canons.)
Beginning of Ad Carpianus (within a quatrefoil border).
12v/13r:  Kephalaia (chapter-list) for Matthew.
13v/14r:  End of kephalaia for Matthew.  Beginning of Chronikon, by Eusebius of Caesarea, written in red.
14v/15r:  End of Eusebius’ Chronicon; beginning of Hippolytus of Thebes’ Chronicle, extracted from Book 3 of his writings. 
15v/16r:  End of the extract from Hippolytus of Thebes.  Beginning of extracts from John Chrysostom’s Preface to the Gospel of Matthew (First Homily on Matthew). 
16v/17r:  
Continuation of the extracts from John Chrysostom’s First Homily on the Gospel according to Matthew.  
17v/18r:  Further extract from Chrysostom’s First Homily on Matthew.  (“For this reason, then, Matthew, writing to Hebrews, sought to show nothing more than that Jesus was from Abraham and David. . . .”).  Additional comment on the four Gospels, extracted from Origen, followed by a list of Greek rhetoricians and other writers, closing with a reference to Paul of Tarsus.
18v/19r:  Epigrams of the Gospel of Matthew, and an extract from Nicetas (?). 
19v:  Gold-background picture:  Christ Blessing John II Comnenus and Prince Alexius.
20v:  Pasted-down full-page icon-page:  the birth of Christ.  Combined scenes:  heavenly saints and angels look down upon Mary and the Christ-child; Shepherds visit; adoration of the magi.  Ox and donkey are peeking over the manger.  Mary is seated on a white couch with red and blue stripes.  Below:  a fourth scene – Joseph looks at two sheep while the midwives Salome and Zelemi bathe the Christ-child.

THE GOSPEL OF MATTHEW
Empress Irene (from a
mosaic at Hagia Sophia)
21r:  headpiece with portrait of Matthew, and the beginning of the text of the Gospel of Matthew below the headpiece-illustration.  Within a square blue floral border on gold ground, Matthew is seated on a throne-like chair, writing a scroll; writing-tools including a compass are on his desk.   The design of the initial B is a woman holding a branch; this woman is probably intended to represent Empress Irene.  A note written to the left of the initial in small red letters may identify this person as Irene but it is not easy to read, inasmuch as the entire page is pasted down and part of the note was cut away in production.
33v/34r:  Matthew 6:6.  The Lord’s Prayer begins on 33v, in line 9. Notice the unusual expansion in the doxology, on the last line of 33v and the first line of 34r.
105v/106r:  Matthew 28:17.  The Gospel of Matthew concludes on 105v; the text is formatted in a vortex-pattern.  The final “Amen” (with the letters arranged N-W-E-S) is followed by the Jerusalem Colophon written in gold ink.

106v/107r:  conclusion of hypothesis of Mark on 106v; beginning of kephalaia-list on 107r.

THE GOSPEL OF MARK
109v/110r:  full-page illustration on 109v:  The Baptism.  On 110, an elaborate square headpiece with a portrait of Saint Mark in the center, writing his Gospel, fills the upper half of the page.  In the lower half of the page, the beginning of the Gospel of Mark has a large initial A, detailed in red and blue. 
161v/162r:  Mark 15:46.  On 162r, on line 12, Mark 16:8 ends with efobounto gar.  This is followed by an arch symbol (denoting the start of a lection), which is followed by the beginning of Mark 16:9 on the same line.  In the margin, a note identifies 16:9 as the beginning of the fourth Gospel-lection in the Heothinon-series (although it is the third such lection).  A section-number also identifies Mark 16:9 as the beginning of section #234.
162v/163r:  Mark 16:12.  The Gospel of Mark concludes on 163r, followed by the Jerusalem Colophon, followed by Epigrams of Saint Mark, followed by the beginning of the Hypothesis (Summary) of the Gospel of Luke.  
  

THE GOSPEL OF LUKE
167v/168r:  167v is an icon-page, depicting the birth of the Prodromos (that is, the Forerunner, John the Baptist).  Elizabeth sits on a white bed with red and blue stripes.  The midwives Florus and Laurus accompany her, standing.  Below the main scenes is a scene with the infant being given a bath by the midwives.  On 168r, the entire page – headpiece and text – is pasted onto the main parchment.  An elaborate square headpiece fills the upper half of the page; a portrait of Luke is in its center on gold ground.  The Gospel of Luke begins with a large E. 
246v/247r:  Luke 22:30.  On 247r, Luke 22:43 begins in line 17. 
256v/257r:  Luke 24:47.  The text of the Gospel of Luke ends near the bottom of 256v, followed by the Jerusalem Colophon.  On 257r, there are Epigrams on Saint Luke, in five lines, followed by “the end of the Gospel of Luke” (as if the Gospel ended there, instead of on the previous page), a decorative line, which is followed by the Preface to the Gospel of John.  The Jerusalem Colophon is written in heavier ink than the other text on the page.


THE GOSPEL OF JOHN 
260v/261r:  260v is an icon-page, depicting the Resurrection.  (The details of the picture are similar to the representation of the “Harrowing of Hell” in the Psalter of Queen Melisende.)  261r has an elaborately decorated square headpiece for the Gospel of John, filling the upper half of the page, with a picture of John dictating his Gospel to Prochorus in the center.  The text of the Gospel of John begins with an elaborately decorated large initial E.  The entire page containing the headpiece and the text is pasted onto the parchment. 
266v/267r:  John 2:25.
272v/273r:  John 4:50.  On line 3 of 273r, John 4:5 follows 4:3, without verses 3b and 4.
284v/285r:  John 7:44.  In the second and third lines of 285r, John 7:52 is followed by 8:12 without the pericope adulterae.
304v/305r:  John 13:33.  On line 10 of 305r, the copyist skipped the words “and the truth” in John 14:6.     
324v/325r:  John 21:22.  The text of the Gospel of John ends on 324v.  Three crosses are below the final verse, and a single cross, centered, is below the three crosses.  325r contains the Jerusalem Colophon, and Epigrams for John the Evangelist and Theologian.  This is followed by a note written in a different color of ink. 
325v/326r:  the end of the note that beganon the previous page, followed by a colophon, followed by a benediction.  326r is blank.

          May this manuscript, prepared for the family of the Byzantine Emperor (perhaps on the beginning of Alexius’ reign as co-emperor), continue to bless the kingdom of God.